Nov 11–12, 2024

»(un)learning bodies« at Württembergischer Kunstverein

With workshops and lecture performances

Date: Nov 11, 2024, 13:30 Uhr

Duration: Nov 11–12, 2024

Location: Württembergischer Kunstverein, Stuttgart [Entrance Stauffenbergstraße]

Info:

The program will be held entirely in English.
Admission to all events on-site and online is free of charge.

Please register in advance for the workshop program.
The lecture performances and discussions are open to the public.

Design: Basics09

(un)learning bodies centers and investigates the body’s role as a tool for understanding both existing and emerging technologies, as well as the self. As technological development accelerates, it becomes essential to establish a critical distance that allows a better understanding of the underlying mechanisms of technology. This enables to better question its purpose, scale, scope, speed, and material and ecological effects. The program series (un)learning bodies will explore how to critically engage with technology while still encouraging a relationship between humans and machines that enables trust, pleasure, and the formation of social connections. 

How do we regain agency? How do we resist nonconsensual interactions and surveillance of bodies for corporate profit? How do we reckon with technology’s influence on our society? 

We consider »unlearning« as not only questioning ingrained interactions and letting go of outdated knowledge and beliefs, but also creating space for new learnings. This process of »learning« involves experimenting with and establishing new practices and rituals around digital tools to critically engage with the current discourse. It further welcomes a plurality of knowledge(s) by recognizing and inviting various forms of knowledge production and practice. Emphasizing experience, the program focuses on physical, tangible forms of interaction to reveal insights into and reflections on our present relationship with technology. Essentially, this means moving the body toward new experiences and unexpected connections. 

Participants are encouraged to engage in an embodied exploration of technology by making, sensing, and doing. The program will explore connections and relationships with technology across several chapters: the practice of engineering as a connector between communities; the practice of threading to understand the principles of computing; examining our relationship with food, changed through social media trends; and exploring the relationship between movement and data-driven technologies. 

The program is curated by Nataša Vukajlović. With Ren Loren Britton, Sarah Ciston, and Luiza Prado among others. 

The event is part of Akademie Schloss Solitude’s focus program Digital Cultures. 

Please register in advance for the workshop program. The number of participants is limited. To register, send an email with »Registration for Workshop [title, date]« in the subject line to Nataša Vukaljović at digitalsolitude@akademie-solitude.de by November 8, 2024. 

Accessibility: Württembergischer Kunstverein is barrier-free and accessible, with a wheelchair-accessible restroom. Access copies including prescripted parts of the workshops will be handed out in English and German. 

Livestream: For people who do not wish to attend the events physically, parts of the program will be livestreamed via Zoom. Please find more information in the program overview. The livestream on Zoom will be active on Tuesday, November 12, 2024 from 6–9 pm CET.

Here you can follow the event live via Zoom.
If you have problems accessing Zoom, please write to us at: digitalsolitude@akademie-solitude.de.

1:30 pm

Introduction and Welcome

2–5 pm

Workshop by Ren Loren Britton
Rehearsing technology in trans-crip-technoscientific time

In this workshop, participants will be invited to rehearse crip technoscientific technologies. We will study some histories of political coalitions between trans, crip, and anti-racist movements that have hacked and engaged technology with their own values. Together we will closely explore the hacked, invented, and prototyped improvisational technologies that have been invented to support coalitional groups.  

Participants: max. 20 in-person, max. 10 remote 

2–5 pm

Workshop by Sarah Ciston
The practice of threading: computation, crochet, (machine) learning

Taking up crochet as a technology practice, this workshop explores machine learning’s size and scalability. When crocheting, one repeats a pattern, performs an algorithm, and produces an output. Together we will find and defy patterns in our bodies and our threads, transforming material and process into three-dimensional structures.  

Participants: max. 20 in-person, max. 12 remote 

6–8 pm

Screening by Luiza Prado
Empty Calories

From avocado toast to baked feta pasta, online platforms such as Instagram or TikTok increasingly influence and define our relations to food. As we increasingly consume food through content on screens, the realities of food production and its environmental impact have been hidden under digital layers of gold-leaf everything; long, melty strands of cheese; and dramatic reality-TV storylines.
This talk both examines how ritual and meaning become diluted when food is subsumed to the exclusive role of entertainment, and weaves between the negotiations of our social location, the political economy of food networks, and the status of food as content.

A poetic lecture by Jasmin Schädler and Joannie Baumgärtner
Dancing on Oblivion

Exploring on the whereabouts and lifespan of moments of unmonitored time in a present that is governed by datafied decisions, artists Jasmin Schädler and Joannie Baumgärtner engage in a poetic stream of consciousness to explore the temporal dissociation associated with dance floors and doom scrolling. They ponder, sing, sound, and swipe while being served by their feeders – content is flowing, eyes and ears overlap, layering, blending, challenging a linear perception of time. 

participated in